Why does asuka die

In the end, Gendo realizes that the thing he's spent years looking for, Yui, was inside Shinji all along. If only he hadn't abandoned his kid. Realizing his mistake, Gendo finally apologizes and steps off a metaphorical train, leaving full control of the Additional Impact and the fate of the world in Shinji's hands. It is at this time that Kaworu once again appears and asks Shinji what he wishes.

But this is a different Shinji than we've ever seen, as many of the characters point out that he's truly grown. Shinji recognizes that love shouldn't be given with an expectation of getting something in return, so he decides to help his friends out, starting with Asuka. Just like with Gendo and Kaworu, we get flashbacks to Asuka, who reveals herself to be one in a long line of clones — hence her different name compared to her TV counterpart.

Out of all the clones, this Asuka was the one to stand out, but she still lacked the love she desperately wanted, the love she saw regular kids get from their parents. This is why she always showed off her skills and tried so hard to be the best pilot, because she knew as a clone she could always get replaced and needed the recognition to justify her existence.

This is likely also why she felt such disdain for Rai, as she probably saw her as a weaker clone who had already been replaced.

Asuka and Shinji confess that they liked each other as kids, and they say goodbye, letting each other go and finally getting closure before Shinji saves Asuka from the Anti-Universe and sends her to the real world.

Finally, it is time to say goodbye to the original Rei that died back in Evangelion 2. Shinji then decides to reset reality and create an entire new world, one free of Evas. He knows there will still be suffering and pain, but as he saw in the village, there will be joy, life, and love too.

Just like the new Rei clone had the chance of a regular life free of the pain of being an Eva pilot, the old Rei should get that chance too. As the title card for every episode of the TV show is projected onto the wall behind them, Shinji tells Rei that he will create a "Neon Genesis," a world without Evangelions.

Then Rei and Shinji walk out of the real set where Hideaki Anno shot parts of the movie using motion-capture and virtual cameras, leaving the world of Evangelion behind and fulfilling the promise given by the TV show 25 years ago.

Back at the beach from End of Evangelion, Shinji and the world around him start literally breaking down, first into key animation, then layouts, and finally just a storyboard. Except before the world dissolves into nothingness, in comes Mari, a character that has perplexed audiences since her introduction in You Can Not Advance, to bring color back into the world and join Shinji in his new world.

On the other side of the tracks is an adult Shinji, who leaves the station with Mari, as the animation slowly transitions into a live-action drone shot of Hideaki Anno's actual hometown. Kensuke appears, covers Asuka, and cleans Shinji's vomit. They talk and Asuka expresses irritation at Shinji's inaction, but Kensuke defends him.

Asuka starts using a scarf around her neck to avoid triggering Shinji again. Asuka explains to Shinji how their existence in the village is full of hardships, and force-feeds him protein bars.

Later, Kensuke finds out Shinji ran away, but before leaving to retrieve him, thanks her for feeding Shinji, to which Asuka responds: "It's not like I did it for him or anything". She keeps playing with her game console during those times, but leaves it behind when she goes to watch him. When the Wunder arrives to pickup Asuka, Shinji insists on going with her, much to her surprise.

Mari teases Asuka over Shinji again, telling her she thought Asuka didn't care for "boys his age", but Asuka expresses that Shinji "needs a mother, not a girlfriend". When the Wunder prepares to go to Antartica, Mari and Asuka get their new plugsuits.

Asuka decides she needs to talk with Shinji. Shinji admits he failed to take responsibility during the incident with the Ninth Angel. Recognizing Shinji is growing up, Asuka confesses she loved him before the incident with the Ninth Angel, but she "grew up first".

During the battle at Antarctica, Asuka takes off her eye-patch and reveals the Ninth Angel contained within. She converts Unit in a new form, but is absorbed by Evangelion During the process, Asuka meets "her original", revealing that she is a member of the Shikinami series of clones. In a flashback to Shikinami's childhood during Instrumentality, she laments not having a parent to care for her, and Kensuke tells her it is alright.

In a callback to the beach scene in The End of Evangelion , Shinji thanks Asuka for telling him she liked him, and confesses that he also liked Asuka, causing her to blush and be overwhelmed with emotion. Evangelion Explore. Evangelion: 1. Manual of Style Forum Recent blog posts Staff.

Explore Wikis Community Central. Register Don't have an account? Asuka Langley Sohryu. View source. History Talk Do you like this video?

Play Sound. Scroll down for the Shikinami article if on mobile NGE. For example, even the color and length of the hair expresses personality. I thought that Asuka would occupy the position of an "idol" in the Eva world, and that [Asuka and] Shinji should be just like the relationship between Nadia and Jean.

The contents of which are roughly as follows: "Hello? We just finished eating. What about you? You want me to introduce him? Please, of course not. He's not sociable.

Uh-huh, uh-huh. Really, wow, I didn't know. That's great. I don't have anything to say, either. Talk to you again later. I'm hanging up, okay? Well, goodnight! This friend got into an argument with her boyfriend, and at some point he choker her in rage.

Instead of reacting violently, this friend felt no fear, hatred or even a need for survivl, but rather a desire to caress him tenderly. In response, her boyfriend lost her grip. However, Anno's friend instead grew cold, and muttered Asuka's line from the EoE draft almost verbatim.

Ogata believes this scene was how Anno wanted to "convey different ways how to bring feelings of love to a conclusion that exist in reality. You are you, I am I".

Naturally, this reflects on the films f individuality and the duality of reaching out to others present in Eva. Anno also guided Ogata to treat OMF partly as a separate story: "as something that just exists. As if everything that happened before in the movie is merely a dream that never happened. It is its own narrative unity, something that can fundamentally be taken away from its context in the movie and still be interpreted as a dramatic whole. It is and is not the final scene of EoE.

Hearing this, Anno first stands silent and confused for a moment. Then he firmly wraps his arms around himself and hugs himself. This is on the "purpose" of what he is trying to express. In the movie, a rich runaway girl and an unemployed newspaper reporter end up spending a night in the same room, and they put a blanket as a divider, calling it the "Wall of Jericho.

In the film, the girl loses her initial disdain for the reporter and they begin to fall in love. Asuka is, in effect, daring Shinji to take the walls down, a reference lost on him. In ancient China, sitting on the same mat meant that the two were husband and wife. Is it the genius girl's pride that leads her to want to use difficult sayings, even though she's not supposed to be used to Japanese yet? Even assuming she was spiteful of Kaji, one doesn't understand the real underlying motive.

After the kiss, Asuka states: "I did it just to kill time. And from Asuka's dialogue that overlaps these scenes, it becomes clear that she has been looking for help and love from Shinji. In effect, Asuka is not only lamenting that Shinji won't support her and hold her during the kiss, but that he didn't even at least give her affection through sex.

It's a parallel with Gendo and Ritsuko. Curiously, while making his own scene, Anno made it clear that Asuka's feelings were directed at Shinji, having supplanted her crush for Kaji. It also adds more lines for Asuka bemoaning Shinji and makes this context even clearer by adding additional past scenes with Asuka and Shinji, like him rescuing her in Episode This isn't made clear in the doujin, wherein it seems ambiguous if she's talking about Shinji or Kaji. This doujin has been translated on Evageeks and a full scanlation is also available on its thread.

In Japanese, "using something as a side dish" is an expression for using something or someone for one's erotic fantasies, but with the underlying implication that the person using the "side dish" is too scared to actually act on their feelings.

As such, Asuka might even be implying that Shinji could have had the "real thing" before, but hesitated. This further reinforces Asuka's implication that this was a habit of his, not only a spur-of-the-moment act.

Shinji's face as he orgasmed would have been shown also. His desire That is why the first thing he did after coming to his senses was to place his hands around Asuka's neck.

To feel the existence of an 'other'. To confirm make sure of rejection and denial. He desired to meet them again, even if it meant he would be hurt and betrayed. Only Asuka was there beside him. The girl who he had hurt, and by whom he had been hurt.

Asuka alone was the only girl on equal footing with him. This realization was quite shocking to Asuka, as she had thus far gone out of her way to dismiss and mock Shinji whenever possible. Asuka's default behaviour toward Shinji emphasized mockery and distaste, though she couldn't deny also feeling some semblance of romantic interest toward him.

Asuka felt a very dark emotion welling up inside of her as she watched Shinji enjoying himself in Rei's company. During Instrumentality, Asuka encountered Shinji inside his inner world and told him she didn't need anything if she couldn't have all of him. Despite the significance of this statement, Shinji's response was vague at best and he only sought a place at her side because it was a "comfortable" place to be.

Hurt by the notion that she was nothing more than an escape for Shinji, Asuka outright rejected him. As a result, the Human Instrumentality Project did not reach its intended result, and any changes to the relationship between Asuka and Shinji were left unclear.

Her repeated failures in combat against the Angels during the war had forced Asuka to face her own weaknesses, and though she did make a comeback during SEELE's forced requisition of NERV headquarters, she fell in battle against the mass-production model EVA units. Immediately after Asuka's defeat, the Human Instrumentality Project was activated, Asuka was the first "other" to exist in the new world that was created when Shinji wished for a world where others existed, and she was found lying.

Shinji didn't want a world where his boundaries were gone and he was nowhere else. Shinji's eyes tell that he that he will accept the fear of others, the strength of life that moves forward while being frightened can be seen. When their consciousness returned to reality, Shinji and Asuka lie in a world where Human Instrumentality is incomplete. In the world where Shinji wanted to have others, Asuka became the first stranger, and Shinji reaches out to her [for her neck]. It is difficult to understand Shinji's emotions as he wonders if Asuka is the one who will hurt him or the one who will complement him.

Shinji and Asuka stand alone in a space where no one else is around. The nature of such indefinite change means it is still likely unclear. So those two sentences basically say the same thing unclear vs will change. The former wording is used in the English translation of the Essential digest version, while the latter is used in the French translation. Will it be about the connection between Shinji and Asuka like the anime?

That's the hard part. I don't know how it will turn out yet. I want to make a happy ending, but it's difficult to say what is happy. The movie version is happy in its own way. Humans are nothing when they are born and at the moment of death, so if the process of living is not enjoyable, they cannot live.

Shinji had a hard time, but he wanted to live. That's why he's happy. Off I went to Nova [a major language school in Japan] to study. So how's your German now? Well, at the time I was doing the role I could hold an ordinary, everyday conversation, but my German lines in Evangelion were all military jargon. So my lessons were basically worthless. The spirited character of Asuka ushers in a new phase of Neon Genesis Evangelion. Can you understand this feeling? Drawing of Asuka's stuffed monkey doll sweating bullets "Beware the traps of Director Anno What is the reason for this difference?

The manga is less spectacular than the anime, there's less action, so I preferred to focus on the relationship between Shinji and his mother, which is the core of my work. The anime, on the other hand, precisely because it's more spectacular, has another point of view. Of course, the relationship between me and my mother is different laughs. A manga that influenced me a lot was Hyouryuu Kyoushitsu, by Kazuo Umezuo, which talks about the relationship between mother and son.

Any mother in the world wants the best for her child, and my manga is about that. With this in mind, the seeming parallels are shocking Asuka's mother, after direct 1st level contact with an Angel, goes 'insane' and eventually kills herself. Asuka, after direct contact with the 16th Angel, as well as an extremely wounded hubris excessive Pride , has a complete mental breakdown and attempts to commit suicide, but fails; she is effectively 'dead.

On the one hand she lectures and inspires him because she minds him, but on the other she is also an existence beyond his control-the other that can never be interiorized. Asuka's ambiguity is also the ambiguity of the work Evangelion as it is. This article needs: Complete story section. These sections contain spoilers pertaining to new or unreleased content. Read ahead at your own risk!

Spoilers end here. And that she's bad at it. Also that Asuka's been repairing it for the past ten years, which is why the thread color and thickness of the stitching isn't always consistent. It was designed by Moyoco Anno. As her voice actor I went through the pain and sorrow she had. I hated feeling like that. In the new movies, Asuka is more approachable. It made me happy as an actor. Specifically the Somonka, the "song of love between love and women.

It should be translated as 'The moon is very beautiful'". Indeed, when men and women in the Meiji period met in public, saying "the moon is very beautiful" would mean "I love you".

These are the remaining lyrics: That man of yours is no longer with us. So why are you looking for him? The video still matched Avant 2 almost perfectly, but this part was modified. But there are many kinds of love scenes. When a father takes a picture of his daughter in her furisode a long-sleeved kimono , it's [parental] love.

The daughter is like, "Hey, stop it, Dad! If he's a good guy, he won't touch her. If Asuka is lonely and wanted to be pampered, it ends only at "there, there". There's nothing more to it than that. In other words, Kensuke is a good guy. I remember having a conversation saying "It's not bad I'm sure Kenken is like a father. I think he was patient and waited for Asuka to open her heart and accepted him.

I also want to be told, "Miyamu Miyamura can stay as it is" laughs. However, in my interpretation, Asuka and Kenken have a clean relationship! Kensuke's twenty-eight on the outside and on the inside, so wouldn't he be the person who could do it? First, when I received the script, I noticed Kensuke was written into it. Ken Ken is trying to take care of an isolated Asuka. Ken Ken took the place of Mr. Try to think about this everyone. Ken Ken is such a good guy. Do you think such a good guy would try to advance a physical relation with a troubled year-old girl?

Asuka says to Shinji that she's already become an adult but that doesn't mean sexually. Asuka was isolated. Ken Ken has been watching over Asuka. I think Ken Ken is like a father [to Asuka]. To be honest, at the time of recording the last scene, Director Anno and Assistant Director Tsurumaki explained it.

Asuka really wants the father and mother that she's never had and Kenken could see this so his intention was to foster something like that. Ken Ken would never make a move on year-old Asuka. Ken Ken whose affection is deeper than the sea, stands by Asuka's side without laying a finger on her. Miyamura confirms Tsurumaki was in charge of everything Asuka-related, and asks fans to create new fanworks on pixiv for her to see.

She just What about the kicked-over gravemarker? Do a forum search if you don't know what that is. Post by Joseki » Wed Sep 20, pm Reichu wrote Maya's reaction comes right after Eva is impaled with the remaining eight spears.

Asuka wasn't "eaten alive". Vicariously stabbed to death, yes. Re: Wait so how did Asuka die in EoE? How in the world could she have survived not only that but what happened next? Eva falls limp with the 9th spear -- was probably in the core, and neither of the Soryus are coming back from that.

Unit 02 dies, so also Asuka dies. What's cruel and unusual about this whole thing is that way back in Episode 2 Maya tells Shinji to not worry about the pain in his arm because it "wasn't [his] real arm. The Evangelion Units were never the safest place to be.

Post by Sachi » Wed Sep 20, pm Unit was effectively a bomb shelter before Asuka activated it and synced with it. The bridge bunnies have the capability to dampen a pilots synchronization.

However, in Asuka's case, I think they wouldn't have been able to quickly enough before the first spear struck her. After that, the Eva goes berserk, and wouldn't have obeyed commands from Nerv either way. Post by DarkBluePhoenix » Wed Sep 20, pm FreakyFilmFan4ever wrote: What's cruel and unusual about this whole thing is that way back in Episode 2 Maya tells Shinji to not worry about the pain in his arm because it "wasn't [his] real arm.

Thanks for the idea Misato-san! Robert Oppenheimer. I can't figure out what your'e responding to. We always see them measure it, and they have some control during the sync tests, but every time a pilot is on the battlefield any attempts on the part of the Bridge Bunnies to control the Sync Ratio of the pilot is only expressed in pleas to the pilot to not go too far. It seems as though only the pilot has any agency in that regard after the Eva launch.